Showing posts with label They Might Be Giants. Show all posts
Showing posts with label They Might Be Giants. Show all posts

Tuesday, January 5, 2016

Spotify Me Part 18: Auld Lang Playlist

Spotify Me Part 18: Auld Lang Playlist

Mark’s Discover Weekly Playlist for the week of 12/28/15

During this week we saw an old year go and a new year arrives, and we all know what that means. It means a solid month of writing the date wrong because we all keep forgetting that 2015 is over. Lizz, the mythical cowriter of this blog, and I had a wonderful New Year’s Eve celeb ration with friends where we sang traditional songs, listened to vinyl, watched good films, and more. It was a good time had by all. My New Year’s resolution was keep being awesome as it always is. I don’t know what Elizabeth’s resolution was, but maybe, if I believe hard enough…

But this week’s playlist did allow me to look back in a way, at the music I have discovered this year thanks to the starting of this blog. Some bands make reappearance, some look at genres that I have come to love, and one band helps me remember there is nothing like coming home to your favorite sounds. So as we enter this New Year, filled with new albums and artists, let’s take a minute to look back at 2015.

Glean
Idlewild Records
Under Water Woman – They Might Be Giants

It really was only a matter of time before my favorite band popped up on the playlist. I waited in Gleeful anticipation for the maters of my teenage years found their way onto the pages of my blog. They have just released s new album called Why? and I’m working on a review for it, but this song comes from another recent album called Glean. Glean heavily features songs that have been uploaded into They Might be Giants re-launch of dial a song, which I have on speed dial. The song Underwater Woman is one of my favorite songs on this album, and shines with the bands sense of humor and talent for oddly poetic lyrics. Although I wouldn’t describe the song as catchy, it does stick in my memory. The song may not before every one. They Might be Giants is, in many ways, an invitation to the weird party, and it’s up to you to accept that invitation.  This song is a great example of that invitation. The melody is odd, the rhythm is not typical, and the lyrics barely make sense at best. It’s very much up to the listener to decide what the meaning of the song actually is, and most would come up with a different answer. But in the end, the song is what They Might be Giants have been, which is different and fun.

Marvin's Marvelous
Mechanical Museum
Quack!Media
Mucka Blucka (Bonus Track) – Tally Hall

We have talked about Tally Hall before on this blog, as well as Rob Cantor’s solo career that followed the bands Hiatus. Tally Hall runs in the same vein as They Might be Giants, continuing the trend of making listeners work to find meaning in the songs, as well as exploration of typically untouched sounds and melodies. And although they are typically more down to earth than TMBG, they do venture into a very strange territory from time to time, as is seen here in this bonus track from their first album. When you first start listening to this song, you might think, “Hey is this just going to be rhythmic clucking?” and then you find out that yes, it is going to be just rhythmic clucking. It might seem like a gimmick, and my uptight world music teacher from college would say it isn’t really music. But to me it feels like the band was just having fun, sharing a bit of themselves with the listener on an extra track. It’s just good fun, and music from time to time should be just that: fun. So tell the PhD music professors of the world to get over themselves, because this is music, and I like it.

2nite EP
Independant
Prismatic Core – TWRP

We have talked about this band as well as this album before on the blog. They to a good job of the 80’s power band style, and this song is no exception. Now, usually, I wouldn’t talk about a song of this nature since it is a clear and present reference to a video game called Prismatic Core, even taking the time to ask you to construct additional pylons. However, I’ve never played that game before, and only know the quote from memes. If not for that line, the song would seem like any other slow 80’s rock song to me. And because it is able to stand alone as its own song, I really enjoy it. It doesn’t just stand alone, but it relies more heavily on instrumental elements than it does on the game reference, whereas most songs of this nature tend to be a series of jokes about the game and then not much else. This song then becomes a song that people who enjoy the game will find fun, but also a song that other people can find enjoyment in as well. I don’t really want to get to much into the marketing of music as I really know nothing about it, but it seems logical that if you write music that only a small niche audience can enjoy, you are only limiting how popular and widespread your music can become. However, what this song has achieved is creating a song with references as a side dish rather than the main course, allowing it to break out of that limited circle and into a more open atmosphere.

The Electric Swing Circus
Ragtime Records
Bella Belle – Electric Swing Circus


One genre that has made its presence known to me this year is electro swing. When the band Caravan Palace released their robot face album this year, they made a statement for the genre that allowed this style of music to gain prominence in my listening preferences. I haven’t listened to much Electric Swing Circus yet, but my hope is that they are just as good. This song is a strong argument in the positive direction. What sets this song apart from some other electro swing that I have heard is that it has original melody and lyrics, when sometimes all you get are sampled clips of older swing songs with electronic elements mixed in. Bella Belle manages to accomplish the task of bringing swing music itself into the modern age, rather than just brining one old song. And on top of all of that, it’s a good song with a catchy melody and fun beat. You can see people dancing to this kind of song at a modern party, rather than a “20’s theme” event. Similar to the song above, that manages to open swing to a wider audience than a specific niche. If we are lucky, this style of music may bring partner dancing back in a big way. 

Tuesday, November 3, 2015

Spotify Me part 9: A Playlist for Owen Meany

Spotify Me part 9: A Playlist for Owen Meany
Mark's Discover Weekly Playlist for 10/26/2015

Well, this is it. The week I really put lots of effort into typing out reviews as the week went, so that it wasn’t a mad rush on Sunday night. I had it all written out and ready to go. And then, I completely forgot to post it on Sunday night. Go me!

We saw Halloween this week! And although my playlist had delighted me with songs about skeletons and ghosts all season, they were all a no show this week. I guess they were out on town, having a great spooky evening. But as October comes to an end, and radio stations start their holiday marathons, I think it is now more important than ever that we get some new music on our hands to distract us from the endless and absurd forced enjoyment of holiday tunes. So let’s get fight the power shall we?

The Mollusk
Elektra Records
Ocean Man –Ween

When you really like a band, especially a little known band, you can get really excited when you hear them in a place you didn’t expect. I get this way with They Might be Giants (TMBG), Talking Heads, the list goes on. But when my friend (the same mentioned in the Cool for Cats review in part #) heard Ocean Man at the end of the Spongebob Movie, he was ecstatic. If you’re going to try and listen to Ween, you have to understand that these guys are out there. In many ways they are similar to TMBG, having started around the same time, originating as a duo with the use of electronic backing, and experimenting in various genres. In fact, they opened for TMBG in their early days. Ween takes weird a step further though, and as a result has developed a strong cult following. Although I remember my friend franticly trying to show me the song Ocean Man by playing it at a bar jukebox, the first time I actually heard it was this week on my playlist. I have to say it’s great. The lyrics make no sense to me, and might not make any sense in general, but they flow well and are memorable.  The tune is an alternative rock spin on island music that is good for light hearted atmosphere and a beach going attitude. The song can act as a good entry way into listening to the rest of the band’s music. I want to suggest you listen to Ween, but remember, there is no guarantee that any one song is going to sound like another, so get ready for a real trip.

Circular Doorway
Cathedral Sounds
No Wonder I – Lake

Soft and quiet, but still holding a rather deliberate beat, No Wonder I was a quick addition to this list. In this song, Lake carries a soft and affectionate tone, while the lyrics reference the feelings of waking up in the morning, possibly next to a new lover. There is hope in that moment, as well as small amount of anxiety. But though all of this, the song remains a truly sweet and beautiful sound. I’ve probably mentioned before that I am a pretty big fan of female vocalists with soft and carful voices, and this singer is certainly included in that group. Her signing has a certain innocent and careless tone that adds to the atmosphere of the song. Also, the lyrics do a good job of flowing along with the music rather than just running to the same tune. At the same time the light but ever present drum beat pushes the song forward, preventing all the lighter tones from fading away too soon. While listening to this song I can’t help but imagine early morning sun, shining through the trees while driving with friends. The song was featured on the cartoon Adventure Time, where its sound fits in with the rest of the soothing music that this show tends to feature. No Wonder I is relaxing, and smooth to listen to. Its great for those times when you just need to let go and sit back for a while.

Crab in Honey
Complicated Game
Source – Fever the Ghost

This song takes funk and pumps it full with a modern indie sound. The guitar and bass drive a fast and exciting groove sound from beginning to end of this song, while the singers high pitched and aloof singing style puts that more modern “indie rock” sound into the mix. The soundscape is full and complex which makes for an exciting and very fun song. But if I’m honest, what really made me fall in love with this song is the music video, which you can watch here. The video has a unique style that is both modern and reminiscent of the psychedelic music videos of the 70’s and 80’s, but at the same time is newer and cleaner. The world that is presented in the short animation is surprisingly full of life and imagery considering it only has the short runtime of the song to present its own little universe. The video compliments the song immensely, filling it with even more life and spirit. And if you like the video, the animator who created it, Felix Colgrave, has his own YouTube channel here where you can see similarly bizarre and interesting animations.

Absentee
Produced by Brett Bullion
Absentee – Jack Campbell (brett bullion)


This song is one of my favorites to come across my Discover Weekly playlist so far. And, once again, this is another song that I had actually heard before, and didn’t realize it at first. And yes, once again, it was featured as The Weather on Welcome to Night Vale. I don’t know who is in charge of choosing the music for that segment, but I would sure like to meet that person. As for Absentee, At times the song is gentle and quiet, and at others it is distorted and loud. But at no time in the song is the transition jarring or out of place. The lyrics meanwhile, are sweet and sincere, expressing the anxieties of being alone, and making an impression. They flow well for the most part, really hitting their groove at the chorus. I really do have high hopes for what this band can create in the future.

(The album artwork in this article is not owned by the authors of this blog, but by the producers of the albums themselves.)