Spotify Me part 19: This Naming Convention is Running Thin
Mark’s Discover Weekly Playlist for the week of 1/4/16
They new year has arrived, and with it, true winter weather. It's cold outside and the snow is thin, blowing easily in the howling winter wind. Last night, as me and my friends sat on a back porch, with only a small lamp illuminating our small world, I felt as though I was in the antarctic tundra, with the wind howling, and the shadows hiding the common look of modern suburbia. With only our small area illuminated, and the darkness hiding reality, I was able to escape into a world of harsh yet calmin isolation. It was incredible.
Then you have to go and drive in it which is miserable and ruins the magic entirely. Your car slides every where and brakes do less and less as the mess piles up. You arrive home and cant go to sleep in case it warms up casting a thick sheet of ice over your drive way. At least I have music while I'm driving. Seriously, it's poetic, but also a nightmare.
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Port Entropy P-Vine Records |
Rum Hee – Shugo Tokumaru
This is not the first time this song has appeared on the
playlist, and it still catches me off guard every time. The only reason I
hadn’t written about it yet is because the last time I heard it was before I
started writing this article. I’m not hyper aware of music styles and trends in
Japan, but this is never what I expect form a Japanese artist. It actually
reminds me of the band Jónsi, a band I am aware of purely
because I am an adult who enjoys kid’s movies about dragons. This song matches
the aloof, innocent, and adventurous nature of these types of kid’s movies, and
could see it being associated with a Miyazaki film, specifically one of the
lighter films, more aimed at children. I bring Miyazaki up because of the
Japanese affiliation, however any what really is important is the sense of childlike
adventure the song carries. There are no sad notes, no worries, and the beat is
colorful and alive. I can’t rally speak for the lyrics, as I do not speak
Japanese, but I can say the light signing matches the style of the song well,
adding to the carefree nature of the tune. The many features of the song work
well together, making it a joy to listen to every time.
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Letters in the Dirt Red House Records |
Bill & Annie – Chuck Brodsky
I don’t know if Spotify has a data base of songs that have
appeared on Welcome to Night Vale, or
if the guy who runs their music selection just has similar taste in music to
me. Regardless of the reasoning behind it, the Podcasts weather section gets
another mention here on our blog. However, the artist himself should also be
mentioned, as the song is his hard work and labor, and sometimes I think these
“Weather Songs” don’t get that kind of proper recognition. I want to make sure
that isn’t the case here as Chuck Brodsky deserves the recognition for this
song. The tune is light, and just sad enough for the story that is told. The
song is all about timing, and how important it is to falling in love. The
characters in this song are in love, and maybe even meant for each other. However,
their timing is never perfect, and they sacrifice their chance at love so they
can do right by the others in their lives. The song leaves a good deal of questions
unanswered though. For example, the singer introduces himself as Chuck and
introduces his wife Annie. While to me it seems that the name Annie simply
reminds Bill of his past life, it is possible that Chucks wife Annie may be the
very same he fell in love with. The other question that isn’t answered is whither
it was right for Bill to value his commitments over his love, though it seems
Bill knows the answer to the question. We the listeners are left to think about
the answer for ourselves.
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Trilogy No Quarter |
Escape From Midwich Valley – Carpenter Brut
Ok, so, this is a song from a movie. But I didn’t know that,
and as was revealed by way to much research, neither do most of the people who
have heard it. From what I can tell, the song was also used in a trailer for the
video game Hot Line Miami 2. This,
and the limited material available on the short film that the song is from,
made it almost impossible to figure out if the song was actually in the movie,
or just inspired by it. Which was possible as the song is released as a part of
an album separate from the short film and was released in the following year.
However, Carpenter Brut is listed as the composer for the film, and I went
ahead and watched a bit of the movie to make sure, and yes, the song is in the
film in bits and pieces. This version of the song may be a conglomerate of all
the sounds he composed for the short film. But before I knew any of that, it
was, to me, just an eerie and cool electronic song. It sent me on a journey
both while I was listening to it, and while I was researching it. Its sound is
reminiscent of 80’s electronic sounds and styles, but also reflective of horror
and thriller films. And the song is apparently versatile, having been used in a
horror film, and a crime noir video game. The song is all about the experience
of the sounds, and the sounds are great. Not only that, but I now know about a
Lovecraft inspired film that I have to watch, as the film Escape from Midwich Valley is inspired by the book The Shadow over Innsmouth. And that is
one of my favorite books.
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Volcanology - Single Industry of Cool |
Volcanology – Brooklyn
Music like this doesn’t seem like anything new. Young
artists see issues as they become old enough to understand them, put them into
a song or some other form of media, and send it out over the internet. I should
know, I post a weekly blog. But what has allowed this kind of band to exist for
so long? There are, probably, so many studies that go to show why this type of
music is timeless, and why it remains popular. But the point of it all is that
this is a very over saturated genre, and it takes a lot of work and talent to
make it while playing this type of music. And
Brooklyn has all of that. Small things in this song make it better
than average. The tune is happy, even though the lyrics contain a hint of youth
angst and rebellion. This conflict of attitude puts an ironic twist on the song,
making it both the voice of a youthful concern as well as a joyful anthem. And their
talent has been recognized, as this song was featured in one of the
Saint’s Row games. Teenage rebellion
will never go away, and so long as it’s here, this music will be too. This music
is important, and I like it.